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![]() ![]() A lullaby outro takes over in the latter half the song, jazz to unravel at the end of a trip. In the original video, Robyn floats with her words. Sampling her voice, Röyksopp veritably beats Robyn’s syllables in pitch shifts and uses her harmonies as permanent pads of tonal atmospheres. In her lyrical narrative, she faces off with death. “Monument” matches in tone the long exhalation of a Buddhist monk in dimension-shifting meditation, a transcendent experience in stereo. So when Robyn burrowed in the studio with them, out the other side popped three genuine and unique smashes from the EP: the eponymous “ Do It Again,” “ Every Little Thing” and “ Monument.” ![]() The Norweigians prefaced lo-fi beats with their own brand of chill (see: ’01s “ Eple“). Röyksopp had developed their musicianship adjacent to the likes of Moby, Fatboy Slim, Paul Oakenfold and Benny Benassi in the ‘90s. Together, Robyn and Röyksopp built a new EP, 2014’s Do It Again. A video of fans belting the tune in the NYC subway even went viral, and Grouplove covered “Dancing” just this year, expanding the song’s reach.īut it was actually another single from Body Talk - “ None of Dem,” a collaboration with Norwegian electronic duo Röyksopp - that provided the framework for the next step in Robyn’s career after she returned home. Robyn was often left speechless in gratitude at that reception in America to “Dancing,” cuing her band to wait out the applause, letting the energy and screams simmer enough for her to compose herself and finish the song. Who could tell the difference? Lennon started playing the piano with his elbows. Robyn opened for Katy Perry on the international California Dreams Tour in 2011, with almost 50 stops in the states.īy 2019, Robyn was headlining her own trek around the U.S., and “Dancing On My Own” had become so popular that she regularly stopped singing while performing it, instead prompting the audience to do what they were already doing: singing so loudly that like the Beatles at Shea Stadium, it almost didn’t even matter whether Robyn hit each note or not. Her efforts even in the new millennium prior to Body Talk, loved as they were by fans, suddenly read as trailers. The video for “Girlfriend,” a one-shot, extraordinarily choreographed dance trek for Robyn around an empty Warehouse, sits at a crisp 26 million view on YouTube as of this August. unofficially became the Santa of dance music, gifting the world MAYA, with singles like “ XXXO” and “ BORN FREE,” a ride-cymbal speedfest.Īt the time best known in America for a pair of late ‘90s pop hits, the Swedish artist took to the studio herself in 2010 to produce what would become one of the most critically praised and fan-adulating dance albums in the history of music, Body Talk - the dance veteran’s war cry.īody Talk singles like “ Dancing On My Own” and “ Call Your Girlfriend” have only grown in popularity since 2010. M.I.A.’s song “ Boyz” would morph into a remix with Jay-Z, too, and dance tracks like “ Bamboo Banga” and “ XR2” maintained a strong presence in the DJ ether. ![]() The meta pairing of the songs make for two of the best demonstrations in existence of the art and creativity behind sampling, essential to club playlists. The song, built around a Clash sample, was itself sampled for the supergroup track “ Swagga Like Us,” with verses courtesy of Ye, Jay, Lil’ Wayne and T.I. By the end of the ’00s, her ’07 single “Paper Planes” had finally gotten the full recognition it deserved, bridging gaps between dance and rap and getting prime placement in both the short-lived video game franchise DJ Hero and the trailer for the Seth Rogen stoner vehicle Pineapple Express. built her career around the drum machine from ’05 on, falling in love with Baltimore Club and dating Diplo. ![]() Miley Cyrus’ first gigantic hit under her own name in ‘08 was the electronic guitar jam “ See You Again.” Even alt radio felt the impact of EDM, electronic-hybrids like Passion Pit, Owl City and M83 topping those charts, too.Īrtists worldwide embraced the genre. Her second album The Fame Monster, too, was still getting widespread airtime from ‘09 well into 2010, single after single.ĭubstep had made its way into radio as Skrillex led the charge with Transformer sound effects perfectly shoehorned into oddball melodies. Her first album The Fame generated songs in ’08 that, adaptable, thrived on both obscure XM electronica stations and Top 40. The full transition of EDM into pop hit perhaps with Lady Gaga. ![]() |
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